Blur’s Dave Rowntree: ‘I still wake at 3am thinking I’ve frittered my life away’

Drummer, lawyer, composer, politician… Blur’s busiest member on the troubled childhood that influenced his new solo album, Radio Songs, and the band’s summer time reunion gigs

A couple of weeks before Christmas, and the planning conferences have just completed for two of 2023’s most anticipated gigs, by a British band who first rehearsed together 35 years in the past. In July, Blur are resulting from play two nights at the 90,000-capacity Wembley Stadium (only one concert was originally scheduled, nevertheless it bought out in two minutes). Their mix of ideas from British popular culture’s previous, combined with the peculiar optimism on the finish of the last century, made them one of the largest bands of the 1990s; they’ve only made two albums since, both of them tentative, tender but pretty: 2003’s Think Tank and 2015’s The Magic Whip.

The day earlier than I meet the band’s drummer, Dave Rowntree, he was with singer Albarn, guitarist Graham Coxon and bassist Alex James in an undisclosed location in London, plotting the rough form of the Wembley gigs, with devices on their laps. “It was good! This is the fun bit earlier than we’re enjoying the set over and time and again, staring sullenly at our phones between songs,” Rowntree tells me. On this brilliant winter morning he is at Tate Trendy in London’s Bankside sporting a hoodie and carrying luggage of the clothes he has just worn for the Observer’s photoshoot. He had his portrait taken in the gallery subsequent to Cildo Meireles’s Babel, a murmuring, ominous tower of a sculpture that he’s all the time beloved, made up of a whole lot of analogue radios. Oblivious ageing hipsters and midlifers, who will definitely have danced to his drumbeats, cross him by.