Drummer, lawyer, composer, politician… Blur’s busiest member on the troubled childhood that influenced his new solo album, Radio Songs, and the band’s summer time reunion gigs
A couple of weeks earlier than Christmas, and the planning conferences have simply completed for 2 of 2023’s most anticipated gigs, by a British band who first rehearsed collectively 35 years in the past. In July, Blur are because of play two nights on the 90,000-capacity Wembley Stadium (only one concert was originally scheduled, nevertheless it bought out in two minutes). Their mix of concepts from British popular culture’s past, combined with the peculiar optimism at the finish of the final century, made them one of the largest bands of the 1990s; they’ve solely made two albums since, each of them tentative, tender however pretty: 2003’s Think Tank and 2015’s The Magic Whip.
The day earlier than I meet the band’s drummer, Dave Rowntree, he was with singer Albarn, guitarist Graham Coxon and bassist Alex James in an undisclosed location in London, plotting the tough shape of the Wembley gigs, with devices on their laps. “It was good! That is the enjoyable bit earlier than we’re enjoying the set over and time and again, staring sullenly at our telephones between songs,” Rowntree tells me. On this vibrant winter morning he is at Tate Trendy in London’s Bankside sporting a hoodie and carrying luggage of the garments he has simply worn for the Observer’s photoshoot. He had his portrait taken in the gallery subsequent to Cildo Meireles’s Babel, a murmuring, ominous tower of a sculpture that he’s all the time beloved, made up of tons of of analogue radios. Oblivious ageing hipsters and midlifers, who will definitely have danced to his drumbeats, cross him by.
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