Blur: The Narcissist review – a band finally at ease with themselves

(Parlophone)
The first single from upcoming album The Ballad of Darren chugs alongside to a motorik beat, rising to an anthemic chorus that seems to be reflecting on the band’s career path

There are two sides to Blur’s sporadic reunions. There are the reside exhibits – Glastonbury in 2009, a trawl all over the world’s festivals in 2012, a worldwide area tour in 2015, an sudden one-off performance at considered one of Damon Albarn’s Africa Categorical events in 2019 – which are reliably rapturously acquired: an opportunity, as Graham Coxon just lately put it to “revisit all those nice songs”, complete with a distinct emotional cost pushed by nostalgia and the proof that the once-fractured relationships inside the band have been mended. And then there's the difficulty of recording and releasing new material.

By far probably the most adventurous band amongst Britpop’s huge league, prepared to vary and push ahead in a means their friends seldom have been, it doesn’t fit Blur’s profile to reconstitute purely as a heartwarming train in nostalgia. But their precise recording course of has been fraught since re-forming in 2008. Blur have been reported to have made three makes an attempt to document a new album, however solely three songs emerged, as limited edition singles; Albarn apparently called time on album sessions in 2012 halfway via recording, a lot to the chagrin of producer William Orbit. Albarn likewise prompt that the tracks recorded at impromptu 2013 periods in Hong Kong would constitute “a type of data that never comes out”, before Coxon completed the music in secret and invited the singer so as to add lyrics: Albarn appeared faintly stunned to be at the rapidly organized press convention that introduced 2015’s acclaimed The Magic Whip.